Forthcoming
'Voices as Relations. Artistic Ways of Exploring and Existing with Artificial Voices,' in 'Relational Technologies. In Search of the Self in Datified Lifeworlds,'
A. Lagerkvist, J. Smolicki (eds.), New York, Bloomsbury, Thinking Media Series
'Relational Technologies. In Search of the Self in Datified Lifeworlds,' A.Lagerkvist, J.Smolicki (eds.), New York, Bloomsbury, Thinking Media Series
'Time Travelling by Technical Means. From Ether to Deepfakes,' in E. Huhtamo and D. Galili (eds.) Routledge Companion to Media Archaeology, Abingdon, UK: Routledge.
'Into the Realm of Techno-Spectral Voices,' in O. Essvik and L. Kristensen (eds.), "Dead & Alive. Reflections on Media/Art" Göteborg, Rojal Förlag.
'A Walk in the Forest. Transversal Listening to Białowieża Soundscapes,' Ecoes #7, Amsterdam, Sonic Acts Press
2024
'Arboreal Soundscapes' in Arnoldia, Journal of Arnolds Arboretum at Harvard, V.81, I.3,
More here
'The Human Observatory for Digital Existence,' w/ Lagerkvist, A., Tudor, M., Eriksson Lundström, J., Rogg, M. in
Kaun A. and J. Velkova (eds.) Beyond Academic Publics: A Catalogue of Scholarly Collaborations with Cultural Institutions, Linköping University Press.
2023
'You Never Soundwalk Alone. Transversal and Transformative Potentials of Soundwalking,' in Acoustic Ecology Review, V.1 N.1: Proceedings of
the 'Listening Pasts, Listening Futures' 2023 World Forum for Acoustic Ecology Conference
'Konstnärlig forskning: modig, kreativ och ”hands on”,' an interview with Charlie Olofsson about artistic research, in Curie, Swedish Research Council's magazine
More here
'Sonorous Surfaces, Biased Backends. The Gendered Voices of AI Assistants as Existential Media' with Amanda Lagerkvist and Matilda Tudor,
in 'Media Backends: Digital Infrastructures and the Politics of Knowing' edited by L. Parks, J. Verkova and S. De Ridder, University of Illinois Press
'Archaeology of Radiant Mediations. The Case of Gleiwitz Radio Tower,' Resonance: The Journal of Sound and Culture, V.4, I.1, University of California Press
'Soundwalking: Through Time, Space, and Technologies,' edited book, Routledge
'Composing, Recomposing and Decomposing with Soundscapes,' in 'Soundwalking: through Time, Space, and Technologies,' J.Smolicki [ed.], Routledge
2022
'Inaudible Cities', in Walking, Listening, Sound-making, E.Biserna [Ed.], Umland Editions, Q-O2, Brussels,
More here
'Arboreal Sonorities', in 'A Row of Trees' Journal of Sonic Arts Research Unit, Oxford Brookes, Vol 1, Issue 1
More here
'Body Stakes: An Existential Ethics of Care in Living with Biometrics and AI', co-authored with Amanda Lagerkvist, Matilda Tudor, Charles M. Ess, Jenny Eriksson Lundström and Maria Rogg, AI & Society, Springer
'Acoustethics: Careful Approaches to Recorded Sounds and Their Second Life', in 'Sensitive Sound Recordings',
Prace Kulturoznawcze Vol 26 No 1
More here
'Thinking Eye, Wandering Ear', co-authored with Tim Shaw, Journal of Landscape Architecture, JoLA, Issue 3
More here
2021
Contribution to the 'Almanac of the Central European Network for Sonic Ecologies' (CENSE)
More here
'Lyssna Bakåt, Vandra Framåt' ('Listening Back, Walking Forward'),
Glänta, Nr 2.21 More here
'Intertidal Room: A Soundwalk through Timescapes of Vancouver's Coastline', BC Studies, The British Columbian Quarterly, No 210 Read here
'Pejzaż Dźwiękowy jako Granica. O Akustycznych Barierach, Teatrze dla Zwierząt i Simonie Kossak', ('Soundscape as a Border. On Acoustic Barriers, Theatre for Animals, and Simona Kossak', soon in English ).
Glissando Audio Papers Read here
'Soundscapes as Archives. Traces and Absences of the Aural Past in Vancouver',
Seismograf Peer, a peer-reviewed platform for contemporary music and sound art. Read here
'Minuting. Rethinking the Ordinary Through the Ritual of Transversal Listening',
VIS - Nordic Journal for Artistic Research, Issue 5. Read here
Vancouver 2020 Collection, Contribution to the World Soundscape Project Recording Library marking its 50th anniversary (41 field recordings and contextual description)
Link to the SFU Sonic Studio page
2020
An interview for Sound Diaries, a research project hosted by Sonic Arts Research Unit at Oxford Brookes University
Read here
Field Recording Techniques, a module in the updated 'Tutorial for the Handbook for Acoustic Ecology' by prof. Barry Truax
Link to the original Handbook
An interview for European Cultural Foundation about the Walking Festival of Sound
Read here
2019
'Inaudible Cities" in 'Recording Life in Sound', Sonic Arts Research Center, Oxford Brookes University, Oxford, UK,
'Czy staliśmy sie juz postcyfrowi?"("Have We Become Post-Digital Yet?"), in 'FORMY', an online, peer-reviewed journal published by Design Department of Krakow Fine Art Academy,
'Eyes that Listen, Ears that See. The Para-Archive of Quivering Stillness', in 'Soundsites. Experiments in Sound and Place', Ch.Eppley and Å.Stjerna, [Eds.], PAD, Public Art Dialogue journal, Abingdon: Taylor &Francis. Read here
'Notes on Post-Digital Archives', in Representations and Reconfigurations of the Digital in Swedish Literature and Art, 1950-2010, Linköping University,
Read here
2018
'Ottilia Adelborg, Para-archivist', in 'Otillia Adelborg, Assembling the World', publication co-edited with
Malin Pettersson Öberg in conjunction to the exhibition 'Unfold a Place', at the Ottilia Adelborg museum in Gagnef, July 5 - September 16, 2018 Read here
'You Press the Button, We Do the Rest. Personal Archiving in Capture Culture', in A. Romele and E. Terrone (Eds.) Towards a Philosophy of the Digital, Palgrave Macmillan
2017
'Para-archives: Rethinking Personal Archiving Practices in the Times of Capture Culture', doctoral dissertation, Malmö University, Sweden
Click here to download
2016
'Standing_Still_Listening' in 'Checking the box', Curatorial Studies, Stockholm University Press
'Towards a Minor Data Manifesto', paper co-authored with Alberto Frigo, published in Necsus, European Journal of Media Studies, Amsterdam University Press Read here
'Fragmentarium: Personal archiving in the post-digital context', in Sensorium, an online journal of Media and Literature Studies/Linköping University, Sweden
Read here
2015
'The (In-)discreet Charm of the Openness', essay published within the Living Archives research project's publication Openness, Malmö, Sweden
Read
'De-totalizing Capture, On Personal Archiving and Recording Practices', paper published in the proceedings of the International Symposium on Electronic Arts, ISEA 2015, Vancouver, Canada
Read here
'Personal Archiving in the Age of Information Overflow', publication in 'Terminus: Archives, Ephemera and Electronic Art' at Ethnographic Terminalia Symposium, Vancouver, Canada
2014
'Affective and Rhythmic Engagements with Archival Material' paper co-authored with Susan Kozel and Daniel Spikol published in the proceedings of Nodem Conference, Warsaw, Poland
'Sensory Ethnography: The Slussen Case', article published in Geografias Audibles back to back with Tsonami Sound Art Fetsival in Chile
'Exploring Practice-based Learning through Living Archives and the Affexity Project', paper co-authored with Daniel Spikol, Susan Kozel and Camilla Ryd published in the proceedings of Bristol Ideas on Mobile Learning, Bristol, UK