On the 18th of July, the annual World Listening Day, I facilitated a performative soundwalk in Stockholm.
The soundwalk responded to this year's theme which was "listening to the ground". As the World Listening Project's website explains,
the inspiration for the theme came from the work of Pauline Oliveros (1932-2016), a sound artist and scholar known for her concept of deep listening.
“Sometimes we walk on the ground, sometimes on sidewalks or asphalt, or other surfaces.
Can we find ground to walk on and can we listen for the sound or sounds of ground? Are we losing ground?
Can we find new ground by listening for it?"
The walk began at the bus terminal in the central part of Stockholm and led
towards Kungsholmen, one of Stockholm's islands, exceptionally quiet and rather unattended in the summer. About 15 people took part.
The itinerary was planned earlier and my intention was to lead the sound-walkers through sections of the area characterized by diverse altitudes and surfaces.
After leaving the terminal we crossed the bridge and walked up the staircase leading to a little hill where the city archive is located.
We then continued slowly walking on the grass between boxes of an urban garden organized between
the blocks of apartments nearby. After taking the elavator down into the subway station, we continued strolling through an empty tunnel carved in a rock on top of which we had just been walking a couple of minutes before.
While crossing the tunnel I initiated the first out of four pre-composed pieces
that participants had been instructed to activate via their mobile phones. Each phone functioned as a speaker broadcasting a random track from a multi-channel composition distributed through a router
carried with me in the backpack along the walk. Additionally, I had a wireless speaker attached to my backpack which allowed me to do a live, improvisatory mixing of the pre-organized material.
The composition in the tunnel consisted of field recordings of me walking on diverse surfaces made in last several years.
Soon our own steps mixed with the recordings of walking on ice, snow, gravel, leaf litter and wooden planks of a pier.
Next stops with similar interventions included a wooden, squeaky pier by the water,
a calm, little graveyard surrounding the local church and an open vantage point overlooking the city, located at the back of the city archive which we returned to
towards the end of the walk. There we performed a distributed composition based on fragments of Pauline Oliveros' compositions entitled 'Silence' performed originally in 2010
(the original recordings can be found here )
Below is a recording of this interpretation done after the soundwalk, enriched with some of the field recordings used during the soundwalk.
a selection of field recordings of walking on different surfaces made between 2010-2017 Processed and pure recordings of a wooden pier at the water front of Kungsholmen, made a few days prior to the event Processed and pure recordings of bells made in the vicinity of the church in Kungsholmen a day prior to the event The soundwalk was a part of a larger initiative called fragmentarium club which unites people interested in the act of listening and field recording. Read and listen to more here